
Reviewed: The President's Budget for Fiscal Year 2017, https://www.whitehouse.gov/omb/budget
When George Ritzer (2010) explored modernity in commercial settings, he observed what he dubbed “Cathedrals of Consumption,” or the massive super-structures like Disneyland and the Bellagio and Walmart, where the material needs and wants of entire communities are daily served by highly rationalized, but often curiously attractive and satisfying corporate labor and distribution systems. While Ritzer listed many kinds of these cathedrals, from franchises like Mcdonalds to cruise ships and casino-hotels, he neglected the mother-ship! For economic scope and scale, as well as mystery and methodology, neither Walt Disney, Sam Walton, nor Ray Kroc could hold a candle to the Federal Government of the United States! As evidence, consider budget for 2017, as submitted by President Barrack Obama. Here, almost all of Ritzer's principles converge in one spectacular display of fiscal-phantasmagoria! The setting is the imagination of the sitting chief executive; the consumer is the entire mass of indifferent American tax-payers, businesses, and institutions; and the qualities of “Rationalization, Enchantment, and Disenchantment” (p. 73) can be observed, by turns, in their fullest and most highly-evolved expressions.